“It is with the Emperor Nero, in the first century A.D. that we have the first definite mention of the bag applied to reed pipes. His use of a bag is actually confirmed by Dio Chrysdstom who mentions Nero's use of the bagpipe in the second half of the first century A.D: “they say that he could … play the pipe, both by means of his lips and by tucking a skin beneath his armpits”
https://www.bagpipehistory.info/rome-ancient-world.shtml
[i] utriculārius, -ī [2/m], the word used by Suetonius in the previous post, is a bagpipe player, not the instrument; the word is obviously derived from: utriculus, -ī [2/m]: a small skin / leather bag
The other word used to describe a bagpipe player is:
[ii] ascaulēs, ascaulis [3/m] from Gk. ἀσκαύλης [askaulis], created from [i] Gk. αὐλός [aulos], a wind instrument resembling an oboe, and [ii] Gk. ἀσκός [askos]: a skin made into a bag; the Roman poet Martial refers to this in one of his epigrams.
The two terms that now refer to the instrument itself are:
[i] utriculus, -ī [2/m] (i.e. the same word that originally described the small leather bag)
Schöttgen, Christian (1687-1751) asks the question: An instrumentum Davidis musicum fuerit utriculus? │ Was David’s musical instrument a bagpipe?
According
to Biblical sources, David played a lyre for King Saul but that’s not the
point: this author is arguing that it may not have been, and could have been a
bagpipe. I have no idea why he thinks that and I’m not going there.
[ii] There is another reference to the instrument in 1512:
tībia utriculāris: ain [= ein] sackpfeif(e); a bagpipe; bagpipes
It
does seem that in the Middle Ages, animals were big fans of bagpipes! And, when
you’re looking at those images, if you’re thinking what I think you might be
thinking, then your thinking is right!
“Musical instruments could also invoke sexuality for a medieval audience. Wind instruments like flutes and bagpipes were seen to resemble male genitalia, stringed instruments had the curving body of a woman to be played, and percussion instruments like drums were to be "banged," while cymbals and bells kept erotic rhythms.”
https://dca.lib.tufts.edu/caviness/chapter3.html
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