[i] vitrum, -ī
[2/n]: glass
vitrum perlūcidum:
transparent glass
ē vitrō: made of
glass
vitreus, -a, -um:
of glass
vasa vitrea: glass
vessels
vitrea, -ōrum
[2/n/pl]: glassware
Pliny
the Elder’s description of an excessively desgned theatre – note his comment on
glass:
īma
pars scaenae ē marmore fuit, media ē vitrō, inaudītō etiam
posteā genere luxuriae, summa ē tabulīs inaurātīs; columnae, ut
dīximus, īmae duodequadragenum pedum. signa aerea inter columnās, ut
indicāvimus, fuērunt I̅I̅I̅* numerō
the
lowest part of the stage was made of marble, the middle of glass,
a type of luxury unheard of even afterwards (ever since that time), and
the highest of gilded (wood) tablets; the lowest columns, as we have
stated (mentioned above), were 38 feet (in height). The bronze statues
between the columns, as we have mentioned, were three thousand in number.
*horizontal line
above the number = x 1000: I̅I̅I̅
= 3,000
medullam
eius concīsam in fidēliam vitream vel novam fictilem coicitō
(Columella) │ throw the chopped-up marrow into a glass vessel or a new
earthen one
An
vidēlicet audīrem sententiās, id est vitrea frācta et somniōrum
interpretāmenta? (Petronius) │ Was I to go on listening to his views, all broken
bottles (vessels) and interpretation of dreams?
[ii] ebur,
eboris [3/n]: ivory
signum ex ebore
factum: a figure made of ivory
eburn(e)us, -a,
-um: (made of) ivory
eburātus, -a, -um:
adorned / inlaid with ivory
Habuit
gemmāta vehicula et aurāta contemptīs argentātīs et eburātīs
et aerātīs │ He had vehicles jeweled and gilded, with no
regard for those plated with silver, inlaid with ivory, or decorated
with bronze
gemma,
-ae [1/f]: jewel; gem
gemmātus,
-a, -um: adorned with jewels / precious stones
Plautus:
argentī
aurīque advēxit nimium … │ He has brought a great amount of silver
and gold …
lānam
purpuramque multam … │ wool and purple in plenty …
lectōs
eburātōs, aurātōs│ couches, adorned with ivory and gold.
Minōribus
simulācrīs signīsque innumera prope artificum multitūdō nōbilitāta est, ante
omnēs tamen Phīdiās Athēniēnsis Iove Olympiō factō ex ebore
quidem et aurō, sed et ex aere signa fēcit (Pliny the Elder) │ An
almost countless multitude of artists became famous for their smaller images
and statues; yet above them all stood Phidias of Athens, who made the Olympian
Jupiter, fashioned indeed of ivory and gold, but who also
made statues of bronze
Images
of ivory: I loathe it – as any other right-minded person does – but we’re not
talking about us, we’re talking about the Romans, and they used ivory. The
ivory figure is Roman although the date is uncertain.