Showing posts with label Mediaeval. Show all posts
Showing posts with label Mediaeval. Show all posts

Tuesday, July 21, 2026

14.02.27: Level 4; literature; Mediaeval; Tacuinum Sānitātis (6): the benefits of garlic

Alleum │ Garlic

Using the previous text as a guide, and the vocabulary which has been given in previous posts on this topic, try to answer the questions about the benefits or otherwise of garlic. The text together with its translation is attached.

Alleum 

Complēctiō calida in 4° sicca in 3°

Ēlēctiō meliōrā ex eō est quī modicē acuitātis est

Iuuāmentum contrā uenēna frīgida et morsus scorpiōnum et uīperārum et interficit uermēs

Nocumentum nocet oculīs et cerebrō

Remōtiō nocumentī cum acētō et oleō

Quid generat hūmōrem grossum et acūtum

Conuenit frīgidīs dēcrepitīs et senibus hyēme* et montānīs et septentriōnālibus.

*alternative spelling of hieme

acuitās, acuitātis [3/f]: (Mediaeval); sharpness; intensity

The translation gives this as ‘juiciness’ which is also possible since there is a rare word – aqueitās – which means ‘wateriness’ or ‘moisture’, but the manuscript is clear in its use of acuitātis

acūtus, -a, -um: sharp

cerebrum, -ī [2/n]: brain

grossus, -a, -um: (Mediaeval) thick

hiems, hiemis [3/f]: winter

modicē: moderately < modicus, -a, -um: moderate

montānus, -a, -um: (adjective) mountain; mountainous

morsus, -ūs [4/m]: bite; sting

septentriōnālis, -e: northern

venēnum, -ī [2/n]: poison

vermis, -is [3/m]: worm

____________________

[i] Is garlic [a] cold [b] hot [c] dry [d] wet?

[ii] The best type is moderately __________.

[iii] True or false? You can use garlic to treat poisons.

[iv] Garlic is good if you are bitten by __________ and __________.

[v] What can garlic kill?

[vi] Garlic damages the __________ and the __________.

[vii] Damage can be remedied with __________ and __________.

[viii] The text refers to the humours i.e. bodily fluids, in particular the four "cardinal humours" - blood, yellow bile, black bile and phlegm – believed to control the health and mood of the human body.

What two effects does garlic have on the humour?

[ix] Garlic is advisable:

[a] for what kind of conditions?

[b] for what kind of people?

[c] in what season?

[d] in what regions?


14.02.27: Level 4; literature; Mediaeval; Tacuinum Sānitātis (5): vocabulary

Sparagus

Complēctiō calida et hūmida in prīmō Ēlēctiō recentēs cuius summitātēs dēclīnant ad terram Iuuāmentum addunt in coitū et aperiunt opilatiōnēs Nocumentum nocent uillīs stomachī Remōtiō nocumentī postquam elisātī sunt comedantur cum mūri(ā) aut acētō Quid generant nūtrīmentum bonum Conueniunt frīgidīs et siccīs senibus et dēcrepitīs in vēre et in regiōnibus in quibus reperiuntur.

That little text comprises just over 50 words, despite which a great deal can be learned from it. Not only does it give us an insight into the content of a Mediaeval medical handbook, but, by picking and choosing, we can review common vocabulary. Match the Latin with the English in the word cloud:

  1. acētum, -ī  [2/n]
  2. addō, -ere, addidī, additus [3]
  3. calidus, -a, -um
  4. coitus, -ūs [4/m]
  5. comedō, -ere, comēdī, comēsus [3]
  6. conveniō, -īre, -vēnī. conventus [4]
  7. dēclīnō, -āre, -āvī, -ātus [1]
  8. dēcrepitus, -a, -um
  9. frīgidus, -a, -um
  10. hūmidus, -a, -um
  11. noceō, -ēre, -uī, nocitus [3]
  12. nūtrīmentum, -ī [2/n]
  13. recēns, recentis
  14. regiō, regiōnis [3/f]
  15. reperiō, -īre, repperī, repertus [4]
  16. senex, senis [3 m/f]
  17. siccus, -a, -um
  18. stomachus, -ī [2/m]
  19. terra, -ae [1/f]
  20. vēr, -is [3/n]

add; be suitable; bend; cold; discover; dry; eat; fresh / recent; harm; hot; joining; land; nourishment; old person; region; spring; stomach; very old; vinegar; wet / moist

14.02.27: Level 4; literature; Mediaeval; Tacuinum Sānitātis (4): reading Mediaeval Manuscripts [2]: superscript letters; u/v; long s

Image Set #4

[i] Abbreviation by superscript letters can simply indicate the ending of the word; we use superscript in ordinal numbers e.g. 1st 2nd but is used far more widely in the manuscripts:

ī po│ in p[rim]o

iuua   iuua[men]tum

nocu │ nocu[men]tum

nocuti nocu[men]ti

ſtoi│sto[machi]; in another section of the manuscript he writes the same superscript i alone for nocumenti i.e. noci• with identical formation of i

[ii] superscript i: above q, it denotes the superscript letter itself and the vowel u

Qid │ quid

[iii] superscript bȝ: [ȝ] this sign is very often used to represent the dative and ablative plural endings of the third, fourth and fifth declension i.e. bus

ī regiobȝ │ in regio[ni]bus

As mentioned above, scribes do not always adhere to the rules; the same /bȝ/ is also found in the manuscript but not as superscript, and, elsewhere, it can have different meanings.

ſeībȝ │ se[n]ibus

[iv] As we still do today, a dot (period) can be placed after the word to indicate truncation. In this manuscript, the writer places most of these below the superscript letters. 

Image Set #5

[v] Classical Latin had no /v/ sound as in very; in inscriptions V = u (CIRCVS MAXIMVS [kirkoos maksimoos]

The sound can be:

[1] as a separate vowel either short or long (the latter in edited texts marked by a macron: ū): sum, tū

[2] as a semi-vocalic sound similar to English w before another vowel: uideō [wideo], amāuī [amawi]

Ecclesiastical Latin distinguishes these two both in writing and in pronunciation, the semi-vocalic of [2] being pronounced as Modern English  i.e. [1] sum [soom]; [2] videō [video]

In most edited texts (including textbooks) for Classical Latin that distinction is maintained in writing i.e. sum / videō, but the original pronunciation of [2] as w is retained. Some textbooks, however, e.g. Jones and Sidwell’s Reading Latin, retain u for both.

In the manuscript there is no distinction in:

Iuua• │ Iuua-; cōuēiūt │ conueniunt

Using our most common means of distinguishing between these two iuvamentum and conveniunt would appear in a dictionary or textbook, but the scribe did not distinguish them and the transcription should reflect what he wrote. He does, however, write v at the beginning of vere.

This variation of /v/ and /u/ is evident in the first folio of Shakespeare’s works (1623), the initial letter of the word regardless written as /v/, in all other instances written as /u/ regardless of pronunciation.

From Macbeth (Act I, scenes 1 and 2):

[i] Valours; Victorie; Villainies: reflect the pronunciation of /v/, but:

the Victorie felt on vs [us]

Vpon the Heath; vpon the Foe [upon]

to our generall vse [use]

[ii] Below are examples where /u/ represents both sounds:

thunder / houer through the fog and filthy air [hover]

I must report / ouer-charg’d [over]

braue [brave]; deſerues [deserves]; lauiſ [lavish]; leaue [leave]; Reuolt [revolt];

A bit of “gentle” Shakespeare shows both these letters in action:

“Till he vnseam’d [unseamed] him from the Naue [Nave] toth’ Chops, And fix’d his head vpon [upon] our Battlements” │ Until he split him from belly to jaw and stuck his head upon our castle walls.

Image Set #6

Look out for the long s: ſ, not to be confused with f:

ſic │ sic[cis]

ſunt │ sunt

ſeībȝ │ se[n]ib[u]s

Both the long s and the ‘round’ s we have now are used in the manuscripts. You can learn the “rules” from a vegetable. Long s is not used:

[i] for upper case letters: Sparagus (but small case ſunt)

[ii] at the end of the word: Sparagus, ſūmitates │ su[m]mitates

It needs to be emphasised that, despite there being common abbreviations which can be identified by “a few simple rules”, there are some very peculiar forms with meanings that are not always consistent. Below is my attempt to transcribe this text using the abbreviations as they are used in the manuscript; I can’t vouch 100% for its accuracy but the group is entitled “Latin for Learners” – and I’m learning about this too! Any comments or amendments are welcome.

Sparagus Complc̄ cal + hm¯ ī poElec̄ recentes cui  ſūmitates declināt ad terrā  Iuua addūt in coitu, et aperiūt opilatioēs¯ Nocu nocēt uillis ſtoi•  Remō nocuti poſt̃ eliſati ſunt comedātur cū muri aut aceto Quid gnant nutrimentū bonū Cōuēiūt frīs et ſic ſeībȝ + decrepitis in vere et ī regiobȝ • in quibus reiūtur.

Sunday, July 19, 2026

08.02.27: Level 4; literature; Mediaeval; Tacuinum Sānitātis (3): reading Mediaeval Manuscripts [1]: introduction; terminology; the combining overline

“Take a foreign language, write it in an unfamiliar script, abbreviating every third word, and you have the compound puzzle that is the medieval Latin manuscript.” (Adriano Cappelli)

Medieval manuscripts were heavily abbreviated to save parchment and ink. At first sight, they seem to be a real uphill climb because it does involve a lot of study, individual handwriting – both then and now – differs, and there are thousands of abbreviated forms. Despite that, there is, I feel, a fascination in deciphering the handwritten work of an author or scribe from the Middle Ages; it’s the closest you’ll get to that person actually being with you.

Commenting on Capelli’s work, Heiman and Kay, the translators, state: “in nine cases out of ten he (the reader) could ascertain the meaning by applying a few simple rules” i.e. there are common features in the manuscripts.

Points to note:

[i] The rules governing abbreviations were flexible; scribes did not adhere to them exactly. However, there are general patterns and context usually allows the reader to identify which letters are to be supplied for the abbreviation.

[ii] The patterns discussed here refer only to the text we’re dealing with. While these are common patterns, it does not follow that what they represent in this text consistently applies to others, but they are a good start to “cracking the codes”.

[iii] If you’re reading a manuscript, try to find as high a resolution as possible because you very often need to magnify the text to get up close and personal with the scribe, examine his handwriting and look for patterns in both the way he forms his letters and the style / types of abbreviations he uses.

[iv] A single document can be difficult to decipher since you have nothing to compare it with. The Tacuinum Sanitatis is a large work, and so, when uncertain, I was able to cross-reference to establish the pattern of his handwriting style and the way in which he uses abbreviations elsewhere.

[v] In the case of this text, I was lucky to find a complete transcription from a reliable source but no transcription using the original symbols and abbreviations. Nevertheless, by using the transcription you can “reverse engineer” it by comparing the full Latin words with the original manuscript to identify exactly what’s going on.

Terminology

Let’s first consider some English abbreviations – because the scribes are doing something similar:

[1]  etc. = [i] et ¦ [ii] c(etera); [ii] is abbreviated by truncation, only the first letter is written, the abbreviation usually indicated by a full stop [.]

e.g. │ e(xempli) g(ratia): for example

Fri(day), Oct(ober)

Nowadays, truncation is used all the time in text messages:

brb │ be right back i.e. an assumption is made that the reader is familiar with the abbreviation or can work it out from context

[2] hr │ hour; abbreviation by contraction, the middle letters omitted

asst │ ass[i]st[ant]: contraction and truncation

English contracts all the time by combining two words – sometimes more than two - into one, not always standard but done to reflect speech:

I’ve │ I have; he’s │ he is; I’d’ve │ I would have

[3] siglum: letters or symbols used to represent words

From the Romans: C │ 100

One symbol we use every day: @ = at

Mathematical symbols represent words; one of them (+) appears in this text to represent ‘and’

It doesn’t appear in this text but we still use one from the Middle Ages: & ‘ampersand’ │ and

[4] superscript: letters which mark the ending of a word e.g. 1st, 2nd

All I’ll do here is pick out the common features of this particular text.

Image Set #1

As in English there can be:

[i] abbreviation by truncation; only the first part of the word is written out:

ca │ calida

[ii] abbreviation by contraction; one or more of the middle letters are missing:

gnant │ generant

Image Set #2

A line, horizontal (e.g. ū) or wavy (resembling the Spanish tilde e.g. ũ) written over a letter indicates that some letters have been omitted. Usually these letters are m or n, but this is not always the case.

combining overline [ ¯ ]

aperiūt │ aperiunt

comedātur │  comedantur

cōuēiūt │ conueniunt

cū │ cum

declināt ad terrā │ declinant ad terram

nutrimentū bonū │ nutrimentum bonum

nocēt │ nocent

The final image of Set #2 (opilationes) shows that the line, despite it indicating the absence of /n/, is written above the final letters

Some writers describe the mark as a macron, but, in Latin, we use that term now to refer to the indication of long vowels e.g. puellā, fēmina, vīnum, ōra, ūrit. However, in a Mediaeval manuscript, a line is not indicating a vowel length.

Image Set #3

The line does not always indicate the omission of /m/ or /n/ but simply acts as an indicator of abbreviation:

frīs │ frigidis [a good example where you need to look at his handwriting style, in this case the formation of /s/ at the end of a word]

remō │remotio

The first title – complectio – is interesting in that, in other parts of the manuscript (which we are not looking at here), he abbreviates it in different ways: compl’ / compł / compło / complō

In this text he uses c̄ [complc̄] and also in the second title: elc̄ [electio]; at first sight, it may look like an /e/ but, examining his handwriting in other parts of the manuscript, he forms /c/ in the same way; you can see that formation (looking more like /r/ than /c/) in, for example: ca(lidus) / coitu / cū (cum)

Compare the letter formations in Image Set #3 (ii)

Horizontal lines through letters: q, p, b, l, h, t with a horizontal or diagonal line through them, indicate that some letters were omitted which needed to be supplied by the reader. 

The most common letters with a horizontal line were p and q, and they are both in the manuscript:

[1] reiūtur │ reperiuntur: it’s difficult to see because it is partially masked by a red line, but there is a stroke through the letter p: ꝑ

When this happens it can assume different meanings; in this case per (but in other manuscripts it can be, for example, par or por or pre)

[2] poſt¦̃posquam i.e. the sign represents an entire word


The letter which looks like a 9 indicates /us/ (but can also indicate -os, -is or just -s); it has a distinctive position always written above the line and at the end of a word. It can appear in other positions with a different meaning, but it is the meaning here in the text that concerns us.

cui │ cuius


08.02.27: Level 4; literature; Mediaeval; Tacuinum Sānitātis (2): enhancing your love-life

Whatever was wrong with you, the Tacuinum Sānitātis seems to have a cure for it including enhancing your love-life and treating scorpion bites – not at the same time, of course. We’ll start with asparagus.

Full marks to whoever battled through the Mediaeval manuscript; I have added notes and vocabulary along with the translations together with comments in italics along the way.

Texts like this, apart from giving you an insight into the importance attached to the healing properties of plants of the Middle Ages, have some very useful vocabulary – not all of it, but you can identify words that are common.

Sparagus │ Asparagus

Complectiō [ = complexiō] calida et hūmida in prīmō │Nature: hot and wet in the first degree*.

  • calidus, -a, -um: hot
  • complexiō, complexiōnis [3/f]: (Mediaeval) constitution; nature
  • hūmidus, -a, -um: wet; humid; moist

* hot and wet in the first degree:

“Common to all traditional medical systems is the concept of the temperature of a medicine. This is related to both its nature, and medicinal effect. Whereas usually a medicine is classed as 'hot', 'warm', 'cool' or 'cold', the Western tradition … elaborated by giving degrees of heat and cold, 1st degree being mild, while a 4th degree denotes extreme. In addition, they add the secondary qualities of dryness and moisture. Therefore a medicine may be Hot in the 2nd degree and dry in the first degree.”

https://www.medicinetraditions.com/temperatures-of-medicines.html

Ēlēctiō recentēs cuius summitātēs dēclīnant ad terram │ Optimum [refers to the best or most favorable condition]: fresh and ¦ with the tip ¦ towards the earth [the tips of which bend]

  • ēlēctiō, ēlēctiōnis [3/f]: choice; selection
  • recēns, recentis: fresh; recent
  • summitās, summitātis [3/f]: the highest point (of something)

Iuuāmentum [ = in the manuscript /u/ and /v/ are not distinguished which is a standard practice] addunt in coitū et aperiunt op(p)ilatiōnēs │ Benefit: they promote intercourse and open up obstructions

  • addō, -ere, addidī, additus [3]: add to; augment
  • coitus, -ūs [4/m]: meeting; joining; (here) (sexual) intercourse
  • iuvāmentum, -ī  [2/n]: (Late Latin) aid; assistance; help
  • oppīlātiō, oppīlātiōnis [3/f]: (Late Latin) blockage; obstruction 

Nocumentum nocent uillīs stomachī  │ Harm: they damage / do harm to the fibrous tissues of the stomach.

  • nocumentum, -ī [2/n]: (Mediaeval) harm; nuisance
  • noceō, -ēre, -uī, nocitus [3]: injure; harm; do harm to; the verb is followed by the dative case
  • stomachus, -ī [2/m]: stomach
  • villus, -ī [2/m]: literally refers to shaggy hair; the term is still used in Biology and Botany

Remōtiō nocumentī ¦ postquam elisātī* sunt ¦ comedantur ¦ cum muri(ā)** aut acētō │ Remedy for harm: cooked and seasoned afterwards [after they have been salted ¦ they should be / are to be eaten] with brine or vinegar.

Scribes sometimes made mistakes, but, when dealing with anything of this age, you cannot make assumptions; you can only check references as much as you can and, if there is no listing anywhere, then you can conclude that it might be a mistake

*elisātī: I cannot find this listed anywhere although the manuscript is clear in using the word; given that the text is referring to seasoning, I suspect it’s from:

saliō, -īre, -iī [4]: to salt; (perfect passive participle) salītus, -a, -um: salted 

**cum muri; the ending in the text does not apply to either of the two possibilities: muria, -ae [1/f] or muriēs, -ēī [5/f]: brine; pickle

Does the scribe omit the final /a/ of muriā because the next word begins with /a/ (aut), or is it just a slip of the quill?

  • acētum, -ī  [2/n]: vinegar
  • comedō, -ere, comēdī, comēsus [3] eat; consume
  • remōtiō, remōtiōnis [3/f]: removal > remōtiō nocumentī: removal of harm = remedy

Quid generant nūtrīmentum bonum │ Effects [literally: what they produce] good nutrition.

  • generō, -āre, -āvī, -ātus [1]: produce
  • nūtrīmentum, -ī [2/n]: nourishment; sustenance

Conueniunt frīgidīs et siccīs* senibus et dēcrepitīs in vēre et in regiōnibus in quibus reperiuntur. │ Advisable for the cold and dry [temperaments], the elderly and decrepit, in spring and in the regions where found.

*The text says literally “They are suitable for the cold and dry (something in the plural)”; the translation refers to temperaments, a rather archaic term for conditions

  • conveniō, -īre, -vēnī, conventus [4]: (here) be suitable for
  • dēcrepitus, -a, -um: very old; decrepit
  • frīgidus, -a, -um: cold
  • reperiō, -īre, repperī, repertus [4]: find; discover; in regiōnibus ¦ in quibus reperiuntur │ in the regions ¦ in which they are found (passive)
  • senex, senis [3 m/f]: old person
  • siccus, -a, -um: dry
  • vēr, -is [3/n]: spring 

08.02.27: Level 4; literature; Mediaeval; Tacuinum Sānitātis (1)

First published in Baghdad in the 11th century The Taqwīm aiḥḥa is an Arabic medical work of which there are Latin versions entitled Tacuinum Sānitātis from the 14th and 15th centuries. It is primarily a health handbook, is stunningly illustrated and includes most of the vocabulary presented in the previous post:

https://adckl.blogspot.com/2025/04/150725-topic-fruits-of-earth-1-comenius.html

I have added a few which are appropriate to the topic:

apium, -ī [2/n]: celery; can refer to several species including types of parsley

asparagus, -ī [2/m]: asparagus; also found in the Mediaeval texts as sparagus

bēta, -ae [1/f]: beet

mēlongēna, -ae [1/f] (Mediaeval): aubergine; variants: melongiana, molongenia

porrus, -ī [2/m], porrum, -ī [2/n]: leek

spinachia, -ae [1/f]: spinach (rare, and with variant spelling)

tūber, -is [3/n]: truffle

  • bōlētus, -ī [2/m]: type of edible mushroom; bōlētus edūlis: edible mushroom
  • fungus, -ī [2/m]: mushroom

Note: some of the images have their original titles which show the Mediaeval spelling shift from /ae/ > /e/; all the Latin nouns have plural forms although a couple of English versions are uncountable:

cēpe = cēpae = onions; lactūce = lactūcae = lettuce(s); pastināce = pastinācae = carrots, parsnips; rāpe = rāpae = turnips; spinachie = spinachiae = spinach(es) 







Tuesday, July 14, 2026

02.02.27: Level 4; literature; the Middle Ages; Tempus transit gelidum [2]

A real challenge – but a rewarding one – is translating a song. Not only do you need to keep as close as possible to the original meaning, but also convey the rhymes, and the rhythms of stressed and unstressed syllables. Moreover, the “voice” of a Mediaeval writer should be respected. I have moved from the first post [step #1 translation] which gave a literal rendering, and notes to accompany the Latin original, to [step #2 translation] my own singable version. I’ve thrown in a few archaisms e.g. ‘a-going’, ’meetly’ (suitably; properly), ‘thou art (surrounded)’ together with a common habit in English poetry of losing syllables e.g. ‘am’rous’, ‘flow’ry’ and ‘pow’r’.

[V1]

tém-pŭs trán-sĭt gé-lĭ-dúm │Ícy̆ cóld’s ă-góĭng bý,
mún-dŭs ré-nŏ-vá-tŭr │ Ánd thĕ wórld’s rĕnéwed nŏw;
vérquĕ rédĭt flórĭdúm, │ Flów’ry̆ spríng ĭs grówĭng nígh,
fórmă rébŭs dátŭr. │ Év’ry̆thíng’s ĭn víew nŏw.

ávĭs módŭlátŭr, │ Bírdsŏng ís ă-sóundĭng,
módŭláns lĕtátŭr │ Jóyfŭllý rĕsóundĭng;

ávĭs módŭlátŭr, │ Bírdsŏng ís ă-sóundĭng,
módŭláns lĕtátŭr │ Jóyfŭllý rĕsóundĭng;

lŭcídĭór│ Ănd cléarĕr gróws,
ĕt lénĭór │ Ănd sóftĕr blóws,
ăér iăm sérĕnátŭr; │ Ă sóothĭng áir sŭrróundĭng.

iăm flórĕá, │ Nŏw blóssŏms spróut,
iăm fróndĕá, │ Ănd léaves sprĕad óut;
sĭlvá cŏmís dĕnsátŭr. │ Ĭn gréen thĕ wóod’s ăbóundĭng.

[V2]

Ludunt super gramina │ Gracefully upon the grass,
virgines decore, │ Maids are playing neatly;
quarum nova carmina │ From their lips, new songs shall pass,
dulci sonant ore. │ Sounding oh so sweetly.

annuunt favore │ Birds, they nod assent, and
volucres canore, │ Song is kindly sent, and
favet et odore │ Floral-tinted Earth brings
tellus picta flore. │ Fragrant favoured greetings.

cor igitur │ Thus thou, the heart,
et cingitur │ Surrounded art,
et tangitur amore, │ And touched by love discreetly.

Virginibus │With maidens fair,
et avibus │ Birds in the air,
strepentibus sonore. │Together singing meetly.

[V3]

Tendit modo retia │ Now his nets he starts to spread;
Puer pharetratus; │ Boy, a quiver wearing,
Cui deorum curia │ Godly court lies overhead,
Prebet famulatus; │ Servitude declaring.

Cuius dominatus │ And his realm, a-snaring,
Nimium est latus; │ Is too much for bearing;
Per hunc triumphatus │ By the boy defeated,
Sum et sauciatus; │ And with wounds I’m greeted.

Pugnaveram, │ For I had fought,
Et fueram │ At first I’d thought
In primis reluctatus; │ There might be naught between us;

Sed iterum │ Yet now, once more,
Per puerum │ I’m thrown before,
Sum Veneri prostratus. │ The am’rous pow’r o' Venus.






01.02.27: Level 4; literature; the Middle Ages; Tempus transit gelidum [1]

The first song in the album entitled Carmina Burana: The Original Ones | Medieval Dances and Songs

Carmina Veris et Amoris: Songs of Spring and Love

https://www.youtube.com/watch?v=iq0nloMq6Nw&t=460s

Tempus transit gelidum (from the Codex Buranus c. 11th – 12th century)

Many Mediaeval songs are ‘wistfully’ performed – this one isn’t!

[i] The usual suspects turn up in the Mediaeval Latin pronunciation:

(1) ae > e

CL: laetatur; ML: letatur

(2)

c + e / i: as /ch/ (although there can be variants of that e.g. /s/ or /ts/)

lucidior: CL [lukidior]; ML [luchidior]

c + a / o / u retain hard /k/

carmina [karmina]; comis [komis]; cor [kor]; decore [dekore]

(3) g + e / i pronounced as a soft /g/ not hard

gelidum: CL [gelidum]; ML [jelidum]

igitur: CL [igitur]; ML  [ijitur]

cingitur: CL [kingitur]; ML [chinjitur]

(4) gn as /ny/ or Spanish ñ

pugnaveram [punyaveram]

(5) v as /v/ and not as CL /u/

renovatur: CL [renouatur]; ML [renovatur]

[ii] Differences in Classical Latin long and short vowels – together with Classical stress rules – are thrown out in the rhythmic “Spring” cleaning!

[iii] Interestingly: the song is for a female performer despite which her experiences with the boys are in masculine form!

fueram reluctatus │ I had been reluctant

sum Veneri prostratus │ I have been prostrated to Venus

[V1]

tém-pŭs trán-sĭt gé-lĭ-dúmThe ice-cold season / time is passing

mún-dŭs ré-nŏ-vá-tŭr the world is (being) renewed

vérquĕ rédĭt flórĭdúm, and the flowering spring returns,

fórmă rébŭs dátŭr. form is given to things.

ávĭs módŭlátŭr,The bird sings, [modulor, -āri (1/deponent): sing; play a tune]

módŭláns ¦ lĕtátŭr while singing ¦ it rejoices. [CL: laetor, -ārī (1/deponent):  rejoice; could also translate as a passive i.e. it is gladdened / made joyful]

ávĭs módŭlátŭr, The bird sings,

módŭláns ¦ lĕtátŭrwhile singing ¦ it rejoices.

lŭcídĭór Clearer

ĕt lénĭórand softer,

ăér iăm sérĕnátŭr;the air is made calm;

iăm flórĕá, now flowering,

iăm fróndĕá, now leafy / covered with leaves,

sĭlvá cŏmís dĕnsátŭr.the wood is made thick with foliage.

[V2]

Ludunt super gramina /  virgines decore, │ Upon the grass the maidens play elegantly

quarum nova carmina │ whose new songs

dulci sonant ore. │ sound from a sweet mouth.

annuunt favore volucres canore, │ The birds with good will and (with) singing nod approval [annuō / adnuō, -ere (3): nod assent / approval / consent]

favet et odore / tellus picta flore. │ and by its scent the Earth painted with flower(s) is favourable / looks kindly (on them).

cor igitur │ the heart, therefore,

et cingitur │ is both surrounded

et tangitur amore, │ and (is) touched by love

virginibus with maidens

et avibus │ and (with) birds

strepentibus sonore. │ humming with sound.

[V3]

Tendit modo retia │ Now he spreads the / (his) nets

puer pharetratus; │ the boy wearing a quiver [pharetra, -ae (1/f): quiver]

cui deorum curia │ to whom the court of the gods

prebet famulatus, │ offers servitude

cuius dominatus │ whose rule / absolute power

nimium est latus, │ is too much to bear [literally: is borne too much]

per hunc triumphatus / sum et sauciatus: │ through him I am conquered and injured

pugnaveram │ I had fought [pluperfect]

et fueram │ and I had been [pluperfect]

in primis reluctatus, │ at first reluctant [fueram reluctatus < reluctor, -āre (1/deponent): resist; I had resisted / fight back]

sed iterum │ but again

per puerum │ by the boy

sum Veneri prostratus. │ I have been prostrated to Venus [prōsternō, -ere, -strāvī, -strātus (3): overthrow; knock down]

Images: the original text (starting from the bottom of the first page)






Monday, July 13, 2026

25.01.27: Level 4; literature; Mediaeval; tempus est iocundum (Codex Buranus c1230) [2] translation; notes

repost from: https://adckl.blogspot.com/2024/06/040724-tempus-est-iocundum-2.html

This is a ‘gentler’ version of the same song but still has that Mediaeval colour.

Note: for those who have been following the posts and / or the alternative site, every feature of Latin has been discussed before, and so this is a tremendous example of all the jigsaw pieces coming together.

Each verse is only a couple of lines. I’ll begin with verse #1 [V1] and the refrain

[V1] Tempus est iocundum, ō virginēs, modo congaudēte vōs iuvenēs │ The time is pleasing, you virgins, just rejoice, you young men

congaudeō, congaudēre [2]: (Late Latin) rejoice; here it’s in the imperative / command form (talking to more than one person) i.e. gaudēte

  • iocundus, -a, -um (Late Latin): joyful (CL: iūcundus)
  • iuvenis, -is [3/m]: young man
  • tempus, temporis [3/n]: time
  • virgō, virginis [3/f]: girl; maiden; virgin

Chorus: it has a very good example of different noun and adjective types working together

Ō, ō, tōtus flōreō! │Oh, oh, I am blossoming!

iam amōre virginālī tōtus ārdeō, novus, novus amor est, quō pereō. │ I’m totally burning with first love, it’s a new, new love from which I’m dying

  • ārdeō, ārdēre [2]: burn
  • flōreō, flōrēre [2]: bloom; blossom; flower
  • tōtus, -a, -um: completely; the grammar FBI will say that it should be tōta because a girl is singing! It didn’t seem to bother them in 1230.
  • pereō, perīre: die; perish; it’s come up before: eō, īre (go) can have prefixes to change its meaning
  • amōre pereō: the ablative expresses the cause; I am burning with [because of] love

But, here’s the grammar point to note

  • amor, amōris [3/m]: love; a third declension noun
  • novus, -a, -um: new; a 1st/ 2nd declension adjective
  • virginālis, -e: maidenly (or ‘first’ in the sense of your ‘first love’); a 3rd declension adjective

[i] iam amōre [3rd declension noun] virginālī [3rd declension adjective] tōtus ārdeō

  • I am completely burning with first love

[ii] novus, novus [1st/ 2nd declension adjective] amor [3rd declension noun] est, quō pereō

  • It is a new, new love from which I’m dying.

The adjective and the noun agree in gender, number and case but they retain their own endings.

Here are the rest of the verses:

[V2] Cantat philomena sīc dulciter, et modulāns audītur; intus caleō │The nightingale sings so sweetly, and it is heard singing, and I am hot inside

  • caleō, calēre [2]: to be hot (check the posts on weather!)
  • cantō, cantāre [1]: sing
  • dulcis, -e [3]: sweet; and there is an example of how Latin forms some adverbs: dulciter: sweelty
  • intus: (adverb) within; inside
  • modulāns, modulantis [3]: (here) singing

Note: passive

  • audit: he / she / it hears
  • audītur: he / she / it is heard

[V3] Flōs est puellārum, quam dīligō, et rosa rosārum, quam sepe videō; │ She is the flower of the girls whom I love, and the rose of the roses whom I often see

  • dīligō, dīligere [3]: love
  • flōs, flōris [3/m]: flower
  • sepe = saepe (often); Mediaeval spelling shift from /ae/ > /e/ to reflect pronunciation change
  • videō, vidēre [2]: see

[V4] Mea mē cōnfortat prōmissiō, mea mē dēportat negātiō. │ My promise strengthens me, my refusal carries me away

[V5] Mea mēcum lūdit virginitās, mea mē dētrūdit simplicitās. │My virginity plays with me, my innocence pushes me down

Note: in some versions the ‘mea’ becomes ‘tua’ i.e. your promise strengthens me etc. I’m following the exact lyrics from the Youtube version.

  • cōnfortō, cōnfortō [1]: strengthen
  • dēportō, dēportāre [1]: carry off
  • dētrūdō, dētrūdere [3]: push down
  • lūdo, lūdere [3]: play
  • mē¦cum: with me

Four 3rd declension nouns that always have the same type of stem change: -iō, -tās

  • negatiō, negātiōnis [3/f]: refusal
  • prōmissiō, prōmissiōnis [3/f]: promise
  • simplicitās, simplicitātis [3/f]: innocence; simplicity
  • virginitās, virginitātis [3/f]: maidenhood; virginity

[V6] Sile, philomēna, prō tempore, surge cantilēna dē pectore. │Be silent, nightingale, for a while, rise up, song, from (my) breast

  • sileō, silēre [2]: be silent; imperative / command talking to one person i.e. sile
  • surgō, surgere [3]: arise; imperative / command talking to one person i.e. surge
  • cantilēna, -ae [1/f]: (old) song
  • pectus, pectoris [3/m]: breast

[V7] Tempore brūmālī vir patiēns, animō vernālī lascīviēns. │In the winter time a man (is) patient, frisky with the breath of spring

  • animus, -ī [2/m]: soul; ‘life force’, but ‘the breath / spirit of spring’ is quite neat
  • vir, -ī [2/m]: man

2 adjectives to describe seasons

  • brūmālis, -is [3]: winter; wintry; ablative of time when: tempore brūmālī (in the winter time)
  • vernālis, -e [3]: spring

Note the regular stem changes of these types ending in -ns

patiēns, patientis [3]: patient

lascīviēns, lascīvientis [3]: frolicking; “frisky”

[V8] Venī, domicella, cum gaudiō, venī, venī, pulchra, iam pereō. │Come, maiden, with joy, come, come, beautiful (girl), I’m dying now

  • domicella, -ae [1/f]: (Mediaeval) young lady; maiden
  • gaudium, -ī [2/n]: joy
  • preposition cum + ablative
  • pulcher, pulchra, pulchrum: beautiful
  • veniō, venīre [4]: come; imperative / command form talking to one person i.e. venī 

25.01.27: Level 4; literature; Mediaeval; the song that wakes the dead - tempus est iocundum (Codex Buranus c1230) [1] text

repost from: https://adckl.blogspot.com/2024/06/040724-song-that-wakes-dead-tempus-est.html

Codex Buranus (c.1230)

Tempus est iocundum

[v1] Tempus est iocundum, ō virginēs, modo congaudēte vōs iuvenēs,

Refrain

Ō, ō, tōtus flōreō!

Iam amōre virginālī tōtus ārdeō, novus, novus amor est, quō pereō.

[v2] Cantat philomena sīc dulciter, et modulāns audītur; intus caleō

[v3] Flōs est puellārum, quam dīligō, et rosa rosārum, quam sepe videō;

[v4] Mea mē cōnfortat prōmissiō, mea mē dēportat negātiō.

[v5] Mea mēcum lūdit virginitās, mea mē dētrūdit simplicitās.

[v6] Sile, philomēna, prō tempore, surge cantilēna dē pectore.

[v7] Tempore brūmālī vir patiēns, animō vernālī lascīviēns.

[v8] Venī, domicella, cum gaudiō, venī, venī, pulchra, iam pereō.