Rome was awash with statues and frescoes. To be honest, I’m
not a big fan of the grandiose ‘look how wonderful we are’ ones, but I am taken
by the simple ones that reflect more everyday life and, in this case, sad
death. Of all the images I’ve ever seen from Rome, this one is, for me, the
most haunting.
[ll1-2] MARTIALI . VERN(AE)
/ DVLCISSIMO . QVI │ To Martial, sweetest house-born
slave, who
[l3] VIXIT . ANN(IS) . II . M(ENSIBUS) . X . D(IEBUS) . VIII
│ lived for two years, 10 months, 8 days
[l4] TI(BERIUS) . CLAVDIVS . VITALIS │ Tiberius Claudius
Vitalis
[l5] B(ENE) M(ERENTI) FECIT │ for the well-deserving one he
(i.e. Vitalis) made (it)
Martiālī vernae dulcissimō quī vīxit annīs duōbus, mēnsibus
decem, diēbus octō. Tiberius Claudius Vītālis bene merentī fēcit. │ Sweetest
Martial, a house-born slave, who lived two years, ten months, and eight days.
Tiberius Claudius Vitalis made this monument for him, well deserving.
[i] fēcit: (s)he made (it); this is a common way of ending
funerary inscriptions noting the name of the person who organised and,
presumably, financed the memorial; the same also occurs in inscriptions marking
the construction of large building projects.
[ii] verna, -ae [1/m]: a child born of a slave and,
therefore, the property of the master. He could have been the
master’s son although that is not acknowledged because only a first name is
given.
[iii] It isn't necessarily the case that the little lad
lived for the exact period of time indicated; there can be various reasons for
that including lack of birth records and no birth dates at all for the children
of slaves. However, such 'precision' in the inscription can simply emphasise
that he was precious for every moment he was alive.
He was clearly held in great affection for this memorial to be sculpted for him, but 2000 years later those lifeless eyes and expressionless face still stare at you: poor kid.

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